Much to our delight, playwright Steven Dietz’s sweet love story emulates Joyce’s fluid approach to time, as well as his seamless mix of memory and dreams.
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With only four characters depicting older and younger versions of the same two people, BETC puts on yet another shining performance with a small cast of excellent actors.
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Though the events in Bloomsday are fantastical, the play is a very different animal from the other examples of Dietz’s work that I’ve experienced.
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“Bloomsday” reaches deep down to engage audiences with humor, wit and inevitably the sting of heartache that coincides with pining.
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“It’s an excellent outing for ages 6 to 106. There’s live music, it’s sometimes scary, sometimes funny and always fun and festive.”
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Remaly’s every decision regarding casting, staging, tone, music — everything — hits the center of the garland-wreathed bullseye.
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This is one worth pondering. I hope more theatres become interested in presenting more of Mr. Eno’s work; he has a unique voice.
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People have an innate need, and the ability, to communicate with each other. What happens when they lose that ability?
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This is exactly the kind of smart, stimulating, contemporary drama we’ve come to expect from one of the area’s finest companies.
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TINY BEAUTIFUL THINGS is a HUGE BEAUTIFUL thing. What a touching, amazing exploration of the human condition told in an unusual but magnificent method.
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