Pride & Prejudice has a substance that honors the source material while amusing a modern audience.
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In this poignant, funny, and heartwarming production, Hamill keeps the focus on the women’s hearts…and enhances the universality of Austen’s humor.
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There’s some hilarious cross-dressing, a lot of ridiculously funny bits, persistent bell-ringing and the occasional revelatory moment.
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The troupe kicked off its 13th season earlier this month with a production of Kate Hamill’s post-modern adaptation of “Pride and Prejudice,” Jane Austen’s beloved romantic romp.
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With “Going to a Place Where You Already Are” we see ourselves thinking about family, and morals, but we are also brought to a space outside of this earthly plane.
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Once again, BETC has chosen a wonderfully unusual play and brought it to life via excellent direction from Rebecca Remaly and assured yet vulnerable performances from the entire cast.
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In director Rebecca Remaly’s fine-tuned rendition, the set (Tina Anderson), lighting (Andrew Metzroth), sound (Jonathan Holt Howard), and costuming (Brenda King) provide a remarkable backdrop and subtext for two concommitant worlds.
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For Brunstetter, writing the show was a springboard for examining and refining her own view of the great beyond.
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Bekah Brunstetter, writer/producer of NBC’s “This Is Us” is bringing her play to Boulder
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A creative flow between deep-pocketed and modest, between Denver and Boulder, looks poised to redefine the region’s place in the American theatre.
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