Nothing in the camera movement takes away from the actors’ performances, and though one is sitting at home, there is a similar feel to sitting in a theater.
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“It’s different from what we usually do…Learning cameras and film acting on the fly required a different skill set and a lot of learning.”
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Production dramaturg Heather Beasley provides a quick sketch of “The Seagull,” and gives the inside scoop on BETC’s upcoming production.
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Streaming through Aug. 30, “Nina” creates 43 variations on Chekhov’s “The Seagull,” and the missed connections between two almost-lovers.
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Two wonderful pieces of news to share with our BETC family: we have been awarded grants from the NEA and NextFifty Initiative!
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This letter was sent to our entire e-mail list and posted on Facebook, Twitter, and Instagram on June 1, 2020.
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Much to our delight, playwright Steven Dietz’s sweet love story emulates Joyce’s fluid approach to time, as well as his seamless mix of memory and dreams.
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With only four characters depicting older and younger versions of the same two people, BETC puts on yet another shining performance with a small cast of excellent actors.
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Though the events in Bloomsday are fantastical, the play is a very different animal from the other examples of Dietz’s work that I’ve experienced.
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“Bloomsday” reaches deep down to engage audiences with humor, wit and inevitably the sting of heartache that coincides with pining.
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