Raising the curtain on fall theater offerings
“All the Rage”and “The Tricky Part” Sept. 6-Oct. 5 at Curious Theatre Company Playwright/Performer Martin Moran returns to his hometown with a reprise of his Obie award-winning, one-man show, “The Tricky Part,” about confronting the church counselor he had a “relationship” with when he was 12 and his follow-up, “All the Rage.” In the latter, Moran recounts his travels in search of an anger that is not natural to him.
Another 100 Colorado Creatives: Josh Hartwell
#61: Josh Hartwell The talented Josh Hartwell works with some of the region’s best and most creative independent theater companies — Curious Theatre, Boulder Ensemble Theatre and Buntport Theater, to name a few — as both actor and director, but he’s also an accomplished and award-winning playwright with a new play, Dylan Went Electric, about to premiere in September at Miners Alley Playhouse. In addition to showcasing live local
BETC expands plays and programming in Season Nine
Boulder, CO— The Boulder Ensemble Theatre Company (BETC) announced their ninth season last spring. However, with its first opening fast approaching, the company is releasing details on an added production and new programming for parents, young theatregoers and those looking to deepen their theatre experience. First up is the addition of “Grounded” by George Brant. This one-woman show, featuring critically acclaimed actress Laura Norman, will be BETC’s second production in
Surprise announcement from Boulder Ensemble
Want to join the BETC press release email list? Please contact PR an Marketing Manager Daniel Leonard at daniel@betc.org. Boulder, CO— Opening night of the ninth season from the Boulder Ensemble Theatre Company (BETC) is coming a whole month sooner than expected. The company just announced the addition of another regional premiere to its already announced season: “Grounded” by George Brant, running September 11-28. “This play is just so good
Willem O’Reilly: A first-rate theater group in Boulder
Boulder has many things to be proud of. Each of us can create a list of what we appreciate about living in the People’s Republic. Mine would include many of the usual suspects: the truly extraordinary open spaces and trails, the world-class music at CU’s Faculty Concerts on Tuesday, a great public library, a real bookstore, a vibrant Farmers’ Market, the Boulder Film Festival, the Boulder Bach Festival, the Boulder
Theater review: Wanting more from Boulder Ensemble’s “This”
Should a play be taken to task for the news cycle it arrives in? Probably not. Unless that work actually invites the scrutiny. Take the Boulder Ensemble Theatre Company’s smart if mildly aggravating regional premiere of “This,” at the Dairy Center through May 18. Melissa James Gibson’s play about a group of 30-something friends would seem to do just that, thanks to the outsider presence of Jean Pierre,
This is really about that
Boulder Ensemble Theatre Company is wrapping up its eighth season and true to its reputation for producing regional and world premieres of new plays, it’s currently presenting the regional premiere of Melissa James Gibson’s This, in the Carson Space at The Dairy Center for the Arts. The play had its world premiere at Playwright’s Horizons in New York City, an institution with a great reputation for developing new plays. BETC
New Boulder play delves into lives of Gen Xers
Christy Montour-Larson had plenty of logical reasons to turn down a directing gig with the Boulder Ensemble Theatre Company. When the opportunity to direct the BETC’s production of Melissa James Gibson’s drama “This” arose, Montour-Larson’s schedule was full. She already had back-to-back obligations with the Curious Theatre and Denver Center Theatre companies. An acclaimed veteran of the local theater scene, Montour-Larson had picked up plenty of work for the
“This” balances grief and hilarity for a stunning close to Boulder Ensemble’s season
Periodically, I ask my daughter — who has requested I tell her my last wishes for health care, disposal of belongings, funeral, etc., in case I’m unable to express them when the time comes — what she wants done with my body. Does she need it buried, so she’ll have a specific place for ritualistic visits, a kind of groundedness for her grief? Or would she like a container of
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