It’s easy to feel a bit adrift by the time the Boulder Ensemble Theatre Company’s production of Terry Johnson’s 1993 play “Hysteria” reaches its second act.
The play’s impressive menu of motifs and moods run the gamut from slapstick comedy to dark psychological drama. Without warning, a silly stretch featuring characters’ constant entrances and exits will give way to an unflinching examination of psychological trauma. Heated arguments about the true historical origins of the Hebrew prophet Moses serve as a precursor to sight gags featuring…
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