Denver, Colorado
EQUITY AUDITION DATE
Denver Local Auditions
Monday, April 8th, 12:00pm-7:00pm
Wednesday, April 10th, 10:00am-5:00pm
Equity audition dates are for members only. Always bring your Equity Membership card to auditions.
NON-EQUITY ACTORS WILL BE SEEN AT THE DCPA AND CTG UNIFIED AUDITIONS.
CONTRACT
SPT4, $600/wk.
APPOINTMENTS
Beginning at 10am (MST) on Friday, March 29th 2024, AEA performers can request an audition appointment by clicking on this link:
https://form.everestwebdeals.co/?form=486c405f4ea677f0941dee28a9182ab4
Auditions will be scheduled on a first come, first serve basis; and though we will try, date and time change requests may not be able to be granted once your appointment time has been selected.
Actors will be asked to submit digital copies of their headshot and resume via email AFTER they have selected a sign-up time.
Performers will receive an email confirmation with their time and audition details in the week following the sign ups.
A 3 minute audition package length will be strictly enforced.
EPA Procedures are in effect for this audition.
No audition videos will be accepted.
PERSONNEL IN THE ROOM
Jessica Robblee (she/her), Producing Artistic Director
Mark Ragan (he/his), Managing Director
Sylvia Gregory, CSA (she/her), Casting Director
LOCATION
Denver Center for the Performing Arts
Robert and Judi Newman Building for Theatre Education, 3rd Floor
1101 13th Street, Denver, Colorado
The facility has buttons for automatic exterior doors, elevators, and accessible bathrooms.
Parking: Wheelchair accessible parking is located on levels 3, 4 and 5 of the complex garage. There is also curbside drop-off 14th St. between Curtis and Champa.
SEEKING
Performers for a variety of roles for the 2024-2025 season, with shows taking place in Boulder and Denver.
BETC is committed to diversity and maintains a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, we encourage performers of all ethnicities, gender identities, body types and sizes, and ages, as well as performers with disabilities, to audition.
SHOWS
Enemy of the People by Henrik Ibsen, 1st Rehearsal: Aug. 20, Shows Sept 26-Oct 13 (Thurs-Sun), and a second run: Rehearsal Nov. 5-7, Shows Nov. 8-17 (Thurs-Sun)
The Ballot of Paola Aguilar by Bernardo Cubría, 1st Rehearsal: Sept 17, Shows Oct 17-Nov 3 (Thurs-Sun)
Little Women by Louisa May Alcott, 1st Rehearsal: Oct. 29, Shows Dec. 5-29 (Thurs-Sun)
Hope and Gravity by Michael Hollinger, 1st Rehearsal: Dec. 26, Shows Jan. 23-Feb. 16 (Thurs-Sun)
The White Chip by Sean Daniels, 1st Rehearsal: Mar. 11, Shows Apr. 10-May 4 (Thurs-Sun)
CHARACTER BREAKDOWNS
Enemy of the People by Henrik Ibsen
(All racial/ethnic/gender combinations will be considered in casting.)
Dr. Thomas Stockmann, Medical Officer of the Municipal Baths
Mrs. Stockmann, his wife
Petra, the Stockman’s adult child, a teacher
Peter Stockmann (the Doctor’s elder sibling), Mayor of the Town and Chief Constable,
Chairman of the Baths’ Committee, etc
Morten Kiil, a tanner (Mrs. Stockmann’s adoptive father)
Hovstad: editor of the “People’s Messenger”
Billing, sub-editor
Captain Horster
Aslaksen, a printer.
The Ballot of Paola Aguilar by Bernardo Cubría
Paola Aguilar (Late 30’s, Mexican) A Doctor of Latinx Studies who teaches at a local Colorado college. She wants to be a mom but life hasn’t made that available yet. Hyper-intelligent and empathetic to a fault. Has regrets and the boundaries to match.
Nicola Ramirez (30’s, White with a Cuban father) A not-so-closet nerd. She is– upon further investigation– way more neurotic than you could ever imagine. Has yet to come out as Latina. According to her Instagram she’s doing just fine.
Bernard Robinson (30’s, Black) grew up with money in Texas. Went to SMU. Has far too often been someone’s “black friend.” He is obsessed with early Garth Brooks. Wants to be president one day.
Rebecca Feldman (late 20’s, Jew-“ish”) grew up in New York City. Speaks Spanish fluently and can’t wait to tell you how she “estudiar en Venezuela.” Got one question wrong on her SAT and she knows which one. Fancies herself a human rights activist AND a centrist. She is so proud to call herself an “ally.”
Kaj Lutken (30’s, White) the kind of person who didn’t get that Wolf of Wall Street was a satire. Is hyper concerned with cancel culture and is currently working on an op-ed about the whole thing. He is the epitome of ambition and, trust me, he sleeps waaaaay less than you do.
Hispanic/Latino/Latina/Latinx/Latine Actor – This actor will play various people throughout the play. They and we are not a monolith. And they get to have fun in acting out various examples of a diaspora. But legit they can be any age, gender, whatever.
Little Women by Louisa May Alcott
(All racial/ethnic combinations will be considered in casting.)
Jo March ~20s/30s, female
Meg March ~20s/30s, female
Beth March ~20s/30s, female
Amy March ~20s/30s, female
Laurie ~20s/30s, male
Marmee/Aunt March/Hannah ~40s-60s, female
Brooks/Old Mr. Laurence/Mr. March/Schoolmaster/Doctor ~30’s-40’s, male
Hope and Gravity by Michael Hollinger
(All racial/ethnic combinations will be considered in casting.)
Track 1: (man, 40s–50s) MARTY, DOUGLAS
Track 2: (man, late 30s–early 40s) PETER, HAL
Track 3: (woman, 40s) TANYA, NAN
Track 4: (man, 20s) STEVE
Track 5: (woman, 20s) JILL, BARB
The White Chip by Sean Daniels
STEVEN (30’s, any race, male)
Track 1 (Any age, any race, female) is helping STEVEN to tell the story and also plays all the women in the piece.
Track 2 (Any age, any race, male) is helping STEVEN to tell the story and also plays all the men in the piece.
These auditions are for performers 18+ years of age. Any auditions for youth performers will be held at a later date.
PREPARATION
Two contrasting monologues.
Total audition package should be no longer than 3 minutes.
There are no musicals/plays with songs in our 2024/2025 season, so an accompanist will not be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
