Our 2020 competition submission period is open until May 31, 2020, or when we receive 250 scripts. Read the guidelines and submit now!

BETC’s New Play Development Program

BETC makes an ongoing commitment to new theatrical work, from world premieres to playwright residencies. Our new play development program, Generations, features the work of parent playwrights with children under 18. The name comes from BETC’s goals for the program: to welcome all generations into the theater to see new plays, and to empower playwrights to generate new work.

Each season, BETC selects one playwright through a national competition to join us in Boulder for a one-week residency.  During the residency week, the playwright works with a professional director, dramaturg, and actors to develop the selected script.  The week concludes with a public reading and post-reading conversation.

BETC’s Generations program is made possible in part by Ann Bateson & Frank Everts, Howard & Elizabeth Diamond, and by the Sustainable Arts Foundation.

Past Playwrights in Residence

• Season 14: Ken Weitzman. His residency for seal boy was in January 2019. Ken’s play Halftime with Don recently received a NNPN Rolling World Premiere with NJ Rep, Phoenix Theatre, and B Street Theatre.  Previous productions include The Catch (The Denver Center Theatre Company), Fire in the Garden (Indiana Repertory Theatre), The As If Body Loop (Humana Festival), Arrangements (Atlantic Theatre Company). His devised work includes Memorabilia (Alliance Theatre), Hominid (Out of Hand Theatre/Theatre Emory/Oerol Festival Netherlands), and Stadium 360 (Out of Hand Theatre). Organizations who have commissioned Ken’s work include the San Francisco Museum of Modern Art, Arena Stage, the Alliance Theatre, Actors Theatre of Louisville, Theatre Emory, Out of Hand Theatre, and South Coast Repertory Theatre. His plays have been published by Samuel French, Playscripts, Smith and Kraus, and Blackbird. He has taught at UCSD, Emory University, Indiana University (head of MFA in Playwriting) and is currently at Stony Brook University. 
• Season 13: Jacqueline Goldfinger. Her residency for Babel was in March 2019. She is a playwright and dramaturg, who co-founded The Foundry @ PlayPenn and Curates Page By Page. She is an Affiliated Artist at New Georges and The Lark Playwright’s Center. She is a member of the writers’ labs at The Barrow Group and Azuka Theatre. She won the Yale Drama Prize, Smith Prize, Generations Award, Brown Martin Award, Barrymore Award, and Philadelphia Critics Award. She was a Finalist at the 2018 International Book Awards. Her plays have been developed and/or produced by theaters including: The National Theatre/London, Wilma Theatre, The Kennedy Center, La MaMa, Disquiet/Lisbon, Florida Studio Theatre, Orlando Shakespeare, Kansas City Rep, Perseverance Theatre, Capital Stage Company, The Seattle Public, Manhattan Theatre Works, and the NYC International Fringe Festival. She is a member of the Dramatists Guild and represented by Abrams Artists Agency.
• Season 12: Jennifer Barclay. Her residency with BETC for the play Danny was in August 2018. Jennifer is a Chicago-bred actor-turned-playwright, recently relocated to the DC area where she is a member of Arena Stage’s 2017-18 Playwrights’ Arena, and an Assistant Professor of Playwriting and Performance at the University of Maryland. Jennifer received the National New Play Network’s 2016 Smith Prize for Political Theatre, for Ripe Frenzy. Ripe Frenzy was a Finalist for Sundance and the O’Neill, and is currently receiving an NNPN Rolling World Premiere at New Rep in Boston, Synchronicity Theatre in Atlanta, and Greenway Court Theatre in California. Jennifer’s plays have been produced and developed by Steppenwolf, La Jolla Playhouse, The Old Globe, RedCat, The Kennedy Center, Center Stage, The International Theatre of Vienna and The Edinburgh Fringe.  Jennifer has been a Playwright in Residence at South Coast Rep and Center Stage. She has a degree in Theatre from Northwestern University and an MFA in Playwriting at UC San Diego, where she studied with Naomi Iizuka.
• Season 11: Anna Moench. Her play Birds of North America received its world premiere at BETC in Fall 2017 as part of our Season 12. Anna’s plays have been produced at WalkerSpace, the Old Vic, 59E59, Ensemble Studio Theatre, The Flea, Cohesion Theatre Company, NYU Tisch, Indiana University of PA, Dance Theater Workshop, Dixon Place, The Kraine, The Looking Glass Theatre, and FringeNYC. Anna is an alumna of the Emerging Writers Group at The Public Theater, Youngblood at Ensemble Studio Theatre, and The Jam at New Georges.  She was named one of Hollywood’s top 100 new writers on the 2016 Young and Hungry List.
• Season 10: Stephanie Alison Walker. Her play The Madres was also selected for the Ashland New Plays Festival, as a finalist for the 2016 Saroyan/Paul Human Rights Playwriting Prize, and as one of six plays selected for the National Showcase of New Plays in December 2016 by the National New Play Network. It will receive its world premiere productions in Fall 2018, as an NNPN Rolling World Premiere.
• Season 9: Simon Fill. His play Burning Cities was recently published in Proscenium Theatre Journal. It received a staged reading at the Pandora’s Box 10^th Annual New Works Festival in Long Beach, CA. His short play Night Visits won the Heideman Award from Actors Theatre of Louisville, where the play premiered in the Wintermezzo Festival. He was an A.S.K. American exchange playwright at the Royal Court Theatre, and his full-length play Post Punk Life received a month-long developmental production by Lincoln Center Theatre Directors Lab.
• Season 8: David Valdes Greenwood. His play Full Code received its world premiere production at BETC in Fall 2016. He was a finalist for the ATHE Award for Excellence in Playwriting and was nominated for the Laurents/Hatcher Prize by the Huntington Theater Company. His play The Mermaid Hour was one of six plays selected for the National Showcase of New Plays in December 2016 by the National New Play Network.

BETC takes pleasure in supporting our parent playwright residents’ writing careers post-residency, and advocating for production of their plays through connections within the National New Play Network.

Generations Playwright Commission

During Season 12, BETC commissioned playwright Idris Goodwin through our Generations program to write a new play on American education, and to be our parent playwright in residence in Fall 2018. Idris Goodwin’s widely produced stage plays include: How We Got On, This Is Modern Art (co-written with Kevin Coval), And In This Corner: Cassius Clay, Bars and Measures, The Raid, Hype Man, and Blackademics. He’s received support from the NEA, Ford and Mellon Foundation, and received awards including the American History Cycle Commission from Oregon Shakespeare Festival, the BlueInk Playwriting Prize, the American Association of Theatre and Education’s Distinguished New Play Award, and InterAct Theater’s 20/20 Prize. He is the author of the Pushcart-nominated essay collection These Are The Breaksand Inauguration, a chapbook co-written with Nico Wilkinson (Haymarket Books), winner of the 2017 Literary Arts Award from The Pikes Peak Arts Council. His words have appeared on HBO, Sesame Street, BBC Radio and the Discovery Channel. Idris is a regular contributor to NPR affiliate KRCC in Colorado Springs, and until recently was an assistant professor in the Department of Theater and Dance at Colorado College. He served as the artistic director of Stage One Family Theatre in Louisville, Kentucky from Fall 2018 through Spring 2020. He is now the Director of the Colorado Springs Fine Arts Center at Colorado College.