Kathryn Gray has been working in Denver theatre since 1978 and has acted or directed at the Denver Center Theatre Company, Hunger Artists Ensemble Theatre, Paragon Theatre, Denver Civic Theatre, Mizel Arts and Culture Center, HorseChart Theatre Company, University of Denver Theatre Program, and the University of Colorado Denver College of Arts & Media. As an Artistic Company Member at Curious Theatre Company since 2003 she has appeared as Miss
Dan O’Neill
Dan most recently appeared in 1984 with the Benchmark Theatre Company. He appeared in “Racing Demon,” “1933,” “You Never Can Tell,” “A Midsummer Night’s Dream,” and “Cyrano de Bergerac” with the Denver Center Theatre Company. Other shows in Denver include, “God’s Country” with the Denver Civic Theatre Company, “Oleanna” with the Avenue Theatre Company, “Lonely Planet” with the Other Theatre Company, and “Justin Bieber Meets Al Qaeda” with The Lida
Aaron Posner
Aaron Posner is a nationally recognized playwright, director, teacher and former Artistic Director. He has won an Outer Circle Critics Award, an Elliot Norton Award, a Joseph Jefferson Award, a Bay Area Critics Award, two Barrymore Awards and six Helen Hayes Awards as a playwright and director. His plays and adaptations include “The Heal,” “Stupid Fucking Bird,” “Life Sucks,” “No Sisters,” “District Merchants,” “Who Am I This Time (And Other
Rebecca Remaly
Rebecca Remaly (Managing Director; Ensemble Member) has directed over twenty productions for BETC, including Tiny Beautiful Things, The Wolves, Ripcord, Cyrano, Outside Mullingar, The Aliens, Annapurna, Copenhagen, and the world premieres of Fourteen Funerals and Morisot Reclining. Sometimes an actor, Rebecca most recently appeared in the BETC production The Revolutionists. Rebecca has also worked with Curious Theatre Company, Huntington Theatre Company, Colorado Shakespeare Festival, George Street Playhouse, Manhattan Theatre Club, and
Stephen Weitz
Stephen Weitz (Producing Artistic Director) is a founding member of BETC, and directed the first production, Jean Anouilh’s “Antigone,” as well as “Fat Pig,” “The Sunset Limited,” “Gross Indecency,” “How the World Began,” “Bach at Leipzig,” “Seminar,” “Ambition Facing West,” “Stupid F##king Bird,” “Ideation,” “An Iliad,” “The SantaLand Diaries,” “Guards at the Taj,” “The Rembrandt,” “The Curious Incident of the Dog in the Night-Time,” “The Realistic Joneses” and the world
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