As we return to live performance with this world premiere production of “Fourteen Funerals,” we are proud of what we learned and accomplished during the last twenty months and thrilled about the future of our company.

The best way to prove a commitment to new plays is to produce them! So, how else does this play represent BETC’s continued commitment to developing thought-provoking, engaging new work for the stage?

Employee compensation is something we at BETC have taken seriously since our earliest days. Now, we commit to going even further.

In 1779, at 12 years old, John Quincy Adams began a daily journal. His father John also kept a diary, while his mother Abigail corresponded in over 1,000 letters during their marriage. Abigail always knew her son loved writing. At one of their last meetings, she regretted that she had discouraged him from a career of crafting poetry and prose. Throughout his life as a prominent public servant, JQA continued

Making digital theatre is hard. And fun. And silly. Check out the blooper reel from the making of The Nina Variations by Steven Dietz!

BETC Associate Producer Heather Beasley sits down with Steven Dietz, author of The Nina Variations (and last season’s Bloomsday).

Get to know Ashley Campbell, creative team member and sound designer for our Season 14 opening show, Tiny Beautiful Things.