Rebecca Remaly (Managing Director; Ensemble Member) has directed over twenty productions for BETC, including Tiny Beautiful Things, The Wolves, Ripcord, Cyrano, Outside Mullingar, The Aliens, Annapurna, Copenhagen, and the world premieres of Fourteen Funerals and Morisot Reclining. Sometimes an actor, Rebecca most recently appeared in the BETC production The Revolutionists. Rebecca has also worked with Curious Theatre Company, Huntington Theatre Company, Colorado Shakespeare Festival, George Street Playhouse, Manhattan Theatre Club, and
Anne Sandoe
Anne Sandoe (Ensemble Member) has appeared in three BETC productions – Going to a Place Where You Already Are, Ghost-Writer, and The Clean House, and was a member of the BETC Board for three years. Noteworthy productions with the Colorado Shakespeare Festival include King Charles III, I Hate Hamlet, Richard III directed by Tina Packer, and Othello directed by Lisa Wolpe. Before COVID shut things down, she was understudying in Murder
Brian Shea
Brian Shea (Ensemble Member) has appeared on the BETC stage in Stupid F##king Bird, Ideation and Cyrano. Behind the scenes, Brian served as Projections Designer for BETC’s regional premiere of Ripcord. Locally he has also acted at the Denver Center Theatre Company (Death of a Salesman, The Tempest, A Winter’s Tale), Curious Theatre Company (On An Average Day), Stories On Stage, and Sis Tryst Company (Savage in Limbo and Abundance). Brian
Luke Sorge
Luke Sorge (Ensemble Member, Writers Group) is a Denver-based writer, actor, and BETC Ensemble member. His play Zen & the Art of Profit was recently produced by Miners Alley Playhouse and he has presented workshop readings of three plays, Historic Doubts, Taco Town, and Purgatory with the BETC Writers Group. He values this group immensely and is proud to be a member.
Colin D. Young
Colin D. Young (Lighting Designer, Ensemble Member) BETC: Ms. Holmes & Ms. Watson, The Children, 14 Funerals, Bloomsday, Pride & Prejudice, and most recently designed The Curious Incident of the Dog in the Night-Time. Off-Broadway Public Theatre: Detroit ’67; Signature Theatre: Fragments, and Talking Pictures; Primary Stages: In the Continuum; Classical Theatre of Harlem: Native Son, Ma Rainey’s Black Bottom, The Blacks: A Clown Show, Crazy Locomotive (2003 Audelco Award); 59E59 Theatres: Rearviewmirror, and Widows; Reverie Productions: Fatboy, American Ma(u)l, Mephisto. Regional: Yale Rep, Woolly
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